TMA Exhibition “Strategic Interplay: African Art and Imagery in Black and White” Explores 1,500 Years of Power, Art and Chess

Eye On Art  |  10/31/2024 1:00 pm

Royalty and power will permeate the galleries as the Toledo Museum of Art (TMA) draws parallels between the game of chess and African art with “Strategic Interplay: African Art and Imagery in Black and White.” Free to the public and on view Nov. 9, 2024-Feb. 23, 2025, this exhibition will feature historical artifacts, representative chess sets and artworks that acquaint visitors with how African art uses symbolism and patterning to communicate leadership, authority and cultural identity. Juxtaposed with artworks created in Europe and inspired by African culture, the items on view highlight the intertwining influence African art and the game of chess have had over 1,500 years.

Cocurators Lanisa Kitchiner, senior manager of interpretation and African art curator at TMA, and Wendy Grossman, independent art historian and curator, bring together works from the museum collection and other prestigious institutions to highlight African artists as strategic thinkers whose works are a source of inspiration and symbolic meaning. Simultaneously, on two separate continents in the 20th and 21st centuries, European avant-garde artists were using chess and African imagery to express new, modernist sensibilities while African artists reimagined chess motifs both as poetic analogies to post-colonial conditions and as decorative patterns channeling indigenous design and symbolic meaning.  

“The Toledo Museum of Art seeks to broaden understanding about connections between African art and chess and the strategic acumen involved in both creative pursuits,” said Adam Levine, Edward Drummond and Florence Scott Libbey president, director and CEO. “‘Strategic Interplay’ reveals parallel and overlapping metaphors, maneuvers and motifs between the seemingly disparate fields of African cultural expression and the royal game of creative war-play with the hope that viewers might appreciate African art through an alternative lens.” 

Chess spread across the African continent starting in the seventh century, beginning a millennium of interactions, some deeply problematic, ranging from the supply of ivory for chessboards to the forced supply of labor. The complexities of that relationship are on view in this exhibition. 

“Used both as inspiration and allegory, the strategic maneuvers of the game mirror the power dynamics of colonial expansion, with the chessboard becoming a symbolic battlefield for domination and control,” said Kitchiner. “Artists in Europe and Africa created chess sets and artworks depicting power struggles between Europeans and Africans, reflecting the socio-political realities of the time.” 

TMA presents the exhibition in three sections: “Openings and Interplays,” “Modernist Gambits” and “Endgames.” The 63 artworks include sculptures, textiles, ceramics, paintings and photographs. Diverse treatments of the archetypal black and white chess grid motif and its symbolic meaning are showcased in provocative pieces from the Kuba Kingdom, Francis Picabia, Bwa artists from Burkina Faso, Pablo Picasso and others. Ingenious artworks referencing royalty and power by Mary Sibande, Magdalene Odundo, Aida Muluneh, Constantin Brancusi, Man Ray and Marcel Duchamp as well as other historical and contemporary pieces are showcased. Representative chess sets on view include “Dieppe Europeans vs. Africans” by ivory artisans in 19th-century France. 

“Openings and Interplays” examines the shared motifs between African art and chess. Historical artifacts including carved wooden sculptures and ornate masks are displayed adjacent to chess sets for visitors to understand how African artists employ symbolism to convey messages of leadership, authority and cultural identity.   

“Modernist Gambits” focuses on the European avant-garde movement and how artists like Constantin Brancusi, Man Ray and Marcel Duchamp drew inspiration from African aesthetics and chess iconography. The cross-cultural dialogue and the birth of new stylistic forms that emerged from this artistic fusion are showcased by works including Man Ray’s “The Knight’s Tour” and Brancusi’s “Bronze Head of Black Woman.”  

The dynamic relationship between the strategic warfare on the chessboard and the artistic battles fought by African creators is explored in the section “Endgames.” Artworks that tactically address societal challenges, employing artistic expressions as a powerful means of resistance, resilience and cultural preservation particularly in ways mirroring various aspects of the game of chess fill this section. Works include El Anatsui’s “History of Africa” and Peju Alatise’s “Death and the King's Alaso Ofi (Part 2) III.”

“Strategic Interplay: African Art and Imagery in Black and White” is made possible with the generous support of presenting sponsors Susan and Tom Palmer and additional funding from the Ohio Arts Council, which receives support from the State of Ohio and the National Endowment of the Arts.

About Toledo Museum of Art
Established in 1901, the Toledo Museum of Art (TMA) is a beloved cultural institution in Toledo, Ohio, and a global leader in the museum field. We believe that art transforms people’s lives and invites them to see differently. 

Admission to the museum is always free and TMA is open Wednesdays, Thursdays and Sundays from 11 a.m.-5 p.m. and 11 a.m.-8 p.m. on Fridays and Saturdays. It is closed on Mondays and Tuesdays and certain holidays. The museum is located at 2445 Monroe St., one block off I-75 with exit designations posted. For more information, call 419-255-8000 or visit www.toledomuseum.org.